Gino Barbiere becomes an art gallery: Spazio Morgagni reinvents an iconic neighborhood store just steps from Bar Basso, without turning it into the usual, painfully boring white cube.
Context interpretation drives the entire project by Santiago Bertotti: a villa immersed in nature, defined by warm tones and carefully calibrated openings toward the outdoors.
Born as a diabetes drug, Ozempic has become, in just a few years, a widespread aesthetic: from celebrity faces to social media feeds, producing a new paradigm of the body, fashion, and space.
In this new project, it is the territory of the Salinas Grandes that takes center stage: thus, the large salt architectures transform the visitor into an active part of a shared ecological and cultural cycle.
You can share your work through the function by Domus where you can upload your architecture, design, interior, graphics, illustration, photography and art projects.
After the ten years of silence requested upon his death, conversations about the great Italian writer and semiologist can finally resume. The Domus archive retraces every moment when architecture called him into play, across every possible context.
The artist will be the focus of a show dedicated to the monumental and process-driven dimension of his sculptural research.
OPT100 Neo Film is a miniature digital camera that pays tribute to 35mm film. It comes from Japan, following the success of Kodak Charmera.
From NHL jerseys on European subways to the Milan–Cortina Olympics, a sport long ignored by the mainstream has become a visual language shaping fashion, pop culture, and cities.
A team of professionals led by Archea Associati has unveiled the renovation and expansion project for the 1950s stadium, featuring a new roof and a significant increase in seating capacity.
Designed in the early 2000s, Foster + Partners’ City Hall formed part of a cluster of culturally iconographic buildings. Today, it is being redeveloped to a new design by Gensler, widening its base and its usefulness.
The historic headquarters of the Milan Order of Architects (Fondazione OAMi) on Via Solferino will reopen to the public from April 20 to 26, hosting an exhibition of projects selected through an open call after several years on the sidelines of Design Week.
Pins, plush toys and even volunteers’ uniforms: Milan has become an open-air Olympic village, where hymns to sport have turned into a breathless race for collectible merchandise, complete with endless queues.
From historic architecture to post-industrial conversions, from house museums to vast exhibition spaces: here are the galleries and museums of Milan you should have seen at least once in your lifetime.
Emerald Fennell’s new adaptation with Jacob Elordi and Margot Robbie reignites the craze for Cathy and Heathcliff. Between visually striking costume design and themed interiors, the classic is transformed into an immersive aesthetic.
It is called Spazio Albini and will be a stage for guided tours, co-working, reading evenings, talks, and courses on the Albini Method to reactivate the architect's historical archive and revive his legacy in preparation for Alcova 2026.
For the Japanese architect, building means creating a harmonious ecosystem in which the artificial and the natural intertwine — as he told Domus.
One of the 48 units designed in 1932 by Le Corbusier and Pierre Jeanneret in the steel-and-glass building—now a UNESCO World Heritage site—has returned to the market: a 277-square-metre duplex preserved in its original state.
From the Winter Olympics to crowd outside Pop Mart stores, the queue has shifted from spontaneous local enthusiasm to a standardized global ritual of consumption—one that is reshaping how cities feel and function.
Ten years after his death, the theorist of capitalist realism has become an unavoidable reference point: amid documentaries, publishing revivals and new systemic crises, the present seems to have caught up with his diagnoses — but also with his demand for alternatives.
The Land Rover Defender is not the end goal but the means: Coolnvintage uses it to build a contemporary work aesthetic, where process matters more than personalization.
From her encounter with Kapoor’s sculptures to the creation of one of Italy’s most influential contemporary art foundations: the trajectory of a personal decision that evolved into a cultural infrastructure spanning Turin, Madrid, and Venice — and the forthcoming Alba 2027 project.
In Kreuzberg, a large apartment born as a tribute to an entire culture makes visible the aesthetic of a club that has always hidden from view.
Ingenious in its interior layout, installable almost anywhere, light even in concept: the Refuge Tonneau, designed together with Pierre Jeanneret and engineer André Tournon in 1938, was never built until recent years. Her daughter Pernette tells the story to Domus.
Designed by Stanaćev Granados, this pavilion on the Chilean coast revisits local tradition through an architecture that blends into the landscape without disappearing into it.
Designed by 3XN and BVN Architecture, the Sydney Fish Market reveals the harbour’s daily choreography, where working infrastructure and public routes intertwine. Domus spoke with the architects behind the project.
“Adapt to the land, not the other way around.” Milan–Cortina 2026 presented itself as the most sustainable Olympics ever. Whether it has actually lived up to that claim is another matter.
This renovation rethinks the limits of domestic space, emphasizing its compactness as the key value of a new design concept and connecting the two levels through material continuity and hybrid furnishings.
From Milan’s Chiesa Rossa to Hamburg’s Elbphilharmonie, an increasing number of performances are choosing iconic buildings and brutalist spaces to transform listening into a physical, immersive and non-standardised experience.
For twenty years, from 1987 to 2007, Gabriele Basilico photographed the buildings of the Milanese architect. A new volume published by Humboldt Books recounts the relationship between the photographer and the architect, which began with an assignment for Domus.
From Achille Castiglioni’s tool-inspired objects to contemporary collectible design, the 19.96-kilogram granite stone embodies a century of industrial precision, ergonomic thinking and radical formal consistency.
A small panel marking the beginning of the most radical investigation into the face of suffering in the Renaissance: Antonello da Messina’s Ecce Homo, long held in private collections, has now been acquired by the Italian state for $14.9 million.
As Bangladesh prepares for crucial national elections, Louis Kahn’s Jatiyo Sangsad Bhaban stands as a monumental fusion of brutalism, light, and post-independence identity.
