Invite you to meet THE 2026 GUEST EDITOR OF DOMUS
APRIL 22 AT 5:00 PM POLITECNICO DI MILANO
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Frank Lloyd Wright’s largest project is a campus: Florida Southern College. Built over more than twenty years—shaped by organic utopian ideals, construction challenges, and later transformations—it is now documented in the photographs of Roberto Conte.
In one of Britain's best-known "new towns", which were designed in the mid-20th century to make London more liveable, Pyramid House has been renovated and adapted for contemporary use.
From Andrés Jaque’s transspecies installations to Balkrishna Doshi’s sensory pavilion at the Vitra Campus, and on to a museum-temple in Vietnam, in its April issue Domus positions the body as the new frontier of contemporary architecture.
After a memoir, a no-makeup phase, and a return to acting, the reinvented diva adds a romantic furniture collection inspired by family memories to her rebranding.
You can share your work through the function by Domus where you can upload your architecture, design, interior, graphics, illustration, photography and art projects.
At Collect art fair in London, ceramics, textiles, and jewelry highlight how craftsmanship is emerging as a conscious alternative to accelerated production and instant culture.
Kengo Kuma is the winner of the international competition to design the expansion of London's iconic museum, which is preparing to redefine its cultural role in the future.
The historic space at 860 Broadway, where Andy Warhol worked between 1974 and 1984, changes function again: from art workshop to store for the Japanese brand, in a transformation that seems to exaggerate his idea of art and consumption.
A guide to understanding how design week actually works—from the fair to the districts, and the curatorial platforms that have reshaped the city’s map.
Compact, lightweight and designed to be carried anywhere, Dyson’s new fan miniaturises cooling without sacrificing power or battery life.
In Oulu, European Capital of Culture 2026, the Danish artist builds a digital ecosystem among Finnish folklore, seed banks and underground architecture.
For Design Week, RH transforms one of the most invisible buildings on Corso Venezia into a design gallery: a building that everyone recognizes, even without knowing it.
Cao Fei’s exhibition Dash at Fondazione Prada explores the transformation of agriculture through drones, algorithms, and automated farming, where human labor is gradually replaced by systems, data, and new technological rituals.
From miart’s new venue to the evolution of its role, and seven key exhibitions across the city: what to see during Milan Art Week 2026, in the words of artistic director Nicola Ricciardi.
From the home-studios of Gae Aulenti and Vico Magistretti to the archives linked to Gio Ponti and the Castello Sforzesco, 150 usually little-accessible funds open exceptionally to the public during Design Week 2026.
On the outskirts of Milan, the storage spaces of the Christian Stein Gallery — home to works by Boetti, Kounellis, Paladino and Pistoletto — open to the public for a limited time, becoming a temporary exhibition space between archive and display.
A magnetic display that brings a screen to the back of your smartphone, letting you use the main camera for selfies: intuitive in theory, more ambiguous in real-world use.
From Mies van der Rohe’s crystal towers for Berlin to Renzo Piano’s Shard, the glass façade charts a century of architecture poised between technology and symbolism, evolving from a modernist manifesto into the shared language of a globalized world.
For years, the brand has been building a global network of exhibition spaces that keep photography anchored to physical reality. In doing so, it also defines who, how, and where photography can still exist.
From temporary hospitality to immersive environments and the return of materiality, a guide to Fuorisalone 2026 that tests ways of living rather than simply displaying objects.
From collections to installations, major international studios gather in Milan for the Fuorisalone, transforming the city into a temporary laboratory between architecture and design.
This laboratory-storage facility for biological research, part of the University of Antwerp, breaks away from the typical anonymity of industrial sheds to assert itself as a recognizable architectural object, defined by bold colors and the legacy of the “perfect square.”
From the lost polychromy of Greek sculptures to experiences developed with Snap and playful applications, augmented reality—after years of anticipation—is now transforming the way museums interpret and narrate their collections.
For this high-density residential complex, Anonimous + G3 + Jesús Vassallo soften the dark, solemn volumes inspired by Brutalism with a lattice of sun-shading screens drawn from local tradition.
In the April issue editorial, Domus guest editor Ma Yansong reflects on architecture as a living organism, evolving alongside its inhabitants—while exposing cities that are increasingly hostile to everyday life.
In the history of art, the egg is never just a symbol. It is an operational device—one that creates perspective, matter, and vision, from Piero della Francesca to Warhol’s pop seriality.
In Point Roberts, Scott and Scott reinterpret the North American rural house through exposed timber structures and natural materials.
From the theft at Italy’s Fondazione Magnani-Rocca to major heists in Paris, Dresden and Amsterdam, ten cases from the new millennium show why art is never truly safe.
From monumental courtyards to cloisters, from historic swimming pools to university spaces: here are ten installations of Fuorisalone 2026 that promise to transform Milan during the days of Design Week.
The home-studio of Charles and Ray Eames becomes a purchasable modular system. Meanwhile, at the Milan Triennale, two full-scale pavilions tell the story of the project during Design Week.
With Food for Thought, Ikea transforms Spazio Maiocchi into a place where food becomes a project and a collective experience. Between live cooking, temporary market and new products from the Ikea PS collection with lamps designed by Raffaella Mangiarotti.
One of the most fascinating aspects of Milan Design Week isn’t just the installations—it’s Milan’s historic palazzi and grand buildings. Behind closed doors, among hidden courtyards and decorated ceilings, Domus selects the most remarkable ones to visit in 2026.
In Narutaki, in Kyoto, the firm has undertaken a project involving a historic Japanese house. The project blends restoration with new construction, creating a space that bridges the past and the present.
